Lyrically, it’s an optimistic sentiment to end on, but Hurwitz, Pasek, and Paul use a clever structural feint to undercut the song’s hopeful ending, truncating the section before its natural

Work Song: Damien Chazelle and Emma Stone confer on the set of “La La Land.”. Courtesy of Summit Entertainment. “It’s wonderfully realized by Emma,” praises Gosling. “It was actually

Refreshing. This film is an instant classic.La La Land (2016)Directed by Damien ChazelleMusic by Justin HurwitzStarring Emma Stone and Ryan Gosling
[SEBASTIAN] But you'll call? [MIA] And though you looked so cute In your polyester suit [SEBASTIAN] It's wool [MIA] You're right, I'd never fall for you at all And maybe this appeals To someone
The onscreen drummer in “La La Land,” though, didn’t end up being a Seb-like hotshot. “It’s a sixtysomething dude sitting behind the drums like an old man,” says Erskine.

Damien Chazelle takes on a Postmodernist approach to the end sequence. Postmodernism in film is defined as moving against typical techniques, expectations, and narrative structure. La La Land subverts the expectations of a typical Hollywood happy ending by having multiple endings. The first end scene leaves Mia watching Sebastian playing the

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la la land ending scene song